![]() The idea for Night on Bald Mountain's Devil was conceived by German artist Heinrich Kley (who, though he did not work at the Disney studio, inspired many of the Disney artists, and whose drawings were collected by Walt Disney), who once sketched a pen and ink drawing of a gigantic demon forcing workers out of a factory by blocking the chimney. Though he initially ignores it, the sunlight forces him and his minions to retreat as the ghosts return to their resting places and the demons hide in the mountain, Chernabog raises his arms one final time and closes his wings, protecting himself from the sunlight and becoming the peak of the mountain once more.Īn inspirational sketch by Kay Nielsen establishing the look and style of Night on Bald Mountain. Chernabog, ready to continue, eagerly leers over his minions but is interrupted by the sound of church bells, which herald the coming of the dawn. The celebration culminates in a blinding flash of fire from the inferno. Harpies fly above the demons, occasionally grabbing them and throwing them into the inferno. As the dancing continues, it becomes more frantic and chaotic. When he opens it, the flames become blue demons with horns and tails who dance before him, causing him to grin maliciously. Chernabog then transforms them into blue lizard-like demons who crawl on his hand and then become crushed. He then uses flames to create images on his right palm: first, the flames resemble three elegant dancers with long flowing hair then, at his pleasure, they transform into dancing barnyard animals. As the demons emerge and gather below their master, he grabs a number of them and disdainfully throws them into the fires of Bald Mountain, while his other minions dance on. The ghosts join together to become a single mass, swirling around Chernabog, who laughs and summons fire and demons. Stretching out his arms, he casts a dark shadow over the village and summons ghosts, including the spirits of hanged criminals (who pass through the noose a second time as they rise from their graves), fallen warriors in the moat and grounds of a ruined castle and the souls of all who are not buried in sacred ground. The peak is revealed to be Chernabog's wings, which he spreads out as he looks at the village down below. The segment takes place in a mountainous area, in which a village is overlooked by Bald Mountain. It showcases the animation of Vladimir Tytla and the style of Kay Nielsen, as well as the longest shot ever produced in the multi-plane camera (in the procession). It is perhaps the most famous sequence in Fantasia, if not, second to The Sorcerer's Apprentice. ![]() He is driven away by the light of the dawn, and a procession of figures walks up a hill to witness the sunrise. Deems Taylor introduces it as the conflict between the profane (represented by Night on Bald Mountain) and the sacred (represented by Ave Maria).Īt Walpurgis Night (the Witches' Sabbath), Chernabog, God of evil, emerges from the peak of Bald Mountain (in reality Mount Triglaf, near Kyiv in Ukraine) to summon all of his minions, including ghosts, vultures, demons, hags, and harpies, who dance furiously as he throws them into the mountain's fiery pit. Westminster Choir with soloist Julietta Novis Video Source Night on Bald Mountain/Ave Maria is the seventh and final segment of Fantasia, following the medley containing compositions of the same name by Modest Mussorgsky and Franz Schubert.
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